adrenamix 石川竜一 写真集
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石川竜一第三弾!
『絶景のポリフォニー』『okinawan portraits 2010-2012』につながる
衝迫と混沌の初期作品。
20代前半の日々、夜を裂いて走る暴走族やクラブでのシーン、性に向かう扉。
鬱屈しつつも考えつづける仲間との時間――。
孤独と閉塞。乾きと希求。
夜闇の深さのなかに生の疼きと匂いを探る、石川竜一の原点。
誰のなかにもある抑えきれない衝動や溢れ出るものを生々しく見つめる一冊。
adrenamix
夜闇に開かれた口
母の声に跨がって
走り抜ける翳たち
A mouth wide-opened in the black of night
Shadows racing through,
riding astride mother's voice
皆無の森に響く千鳥足
突き刺さる哲の
轍
Resounding tottering gait through a forest of NOTHING
An enlightened rut,
piercing
吹きこぼれた泡が地にしみ込む前に
ケツで感じる孤独
迷うことも出来ないほど
閉ざされた奇妙な国に
散乱した全ての蛇行眼球は
飛び込む川も見つからない
Loneliness I feel with my ass
before the overflowing foam soaks into the earth
Meandering eyeballs scattered are unable
to find a river to dive into
in a weird land so closed
that one cannot even get lost in it
軽快な乾きが
沼地のように湿った身体を求め
硬直した肉体の山脈
峠を流れる汗のつぶを掬い上げるように
その筋に舌を這わせる
辿り着く前には既に愚劣さを知る
Nimble dryness extends a feeler
for a body with the wetness of a marsh
A mountain range of stiff flesh
My tongue creeps along its veins,
like scooping up the beads of sweat that flow down the ridge
I already realize the foolishness of all of it before getting to the top
中毒的生産の果て
意志を持たない石ころは
勃起する睾丸の理不尽さを
更に無意味で上書きするために
男たちは鼓動を白く濁らせ
女たちは春を飛び越え
夏の夜で笑う
The end of the production toxic,
A pebble with no will is
to overwrite the absurdity of the erect testicle
with nonsense, furthermore
Men muddy their pulses in white
as women fly over the spring,
laughing in the summer night
夜は明けずとも夜というか
扉は開かずとも扉か
闇は照らされても闇のままだ
転んで破れた心臓からは
命の声が溢れ出し
それでもまだ静寂
Could it be called a night if with no end?
Is a door that never opens still a door?
The darkness lightened, and yet the darkness it is
A heart fell and torn,
a cry of life gushes out,
and still the silence it is
蛍光灯の陳列棚に並べられた
レトルトの時間を食い漁りながら
アスファルトの上を這いつくばり
沈んでいく月を持て余す
We such creatures,
devouring retort-packed time on the fluorescent display shelves,
crawling across the asphalt
to get flustered by the setting moon
どんなに酔っていても
酒の入った瓶を叩き割ることは出来ない
垂れ流される記憶と
二日目に野獣の迎え
However dead I drunk,
can't smash a bottle of alcohol
Trickles of memory and meeting a fierce beast
-What is waiting on the second day
Adrenamix
Blasting into the scene with his Kimurai Ihei photo award wining okinawan portraits 2010-2012, Akaaka has released a throwback to Ryuichi Ishikawa's not-too-far off past with Adrenamix, an intense photographic record that the photographer made of his blazing twenties. The book echoes the best parts of a zine- its handheld sized is barely able to contain its content; the trappings of a wild Okinawan youth- an intense period of hot tropical nights surrounded by friends as screaming motorcycles blast past, blurs of indifference to society- and parties and women, with fire and noise- a book of an endless night full of outbursts sloshed by a crazed drunkenness- a night punctuated with graphic sexual encounters of all kinds. Adrenamix vividly protests against anything less than a hunger to roar out the "cry of life" Ishikawa lusts for in the poem with which he brings the book to a close.
